There is no doubt that street art has become part of our everyday lives. Invasive, poetic, destructive, provocative, illegal, political, abstract or beautiful, street art has gradually infiltrated urban areas around the globe. It continues to challenge the idea of ownership of the public space and has given itself the right to use it for expression alongside the monopoly held by corporate entities for advertising. In the past decade, street artists have gained respect from communities all over the world and have been exhibited in the most prestigious museums – with or without invitation.
Emess’ work is most often motivated by political questions. Confronting the viewer with issues that would rather be swept under the rug, for which there are perhaps no clear answers or solutions but that need to be addressed. The use of humor and his sense of aesthetics catch the viewer off guard for a moment allowing attention to be drawn to the subject. Emess sees no difference between the street or the gallery space, his work is designed to reach an audience and adapts itself to the situation. His range of media goes from sculptural objects or large scale murals to woodcuts and delicate prints. - Alvaro Campo, Candyland
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